Italian cyber drummer providing professional acoustic drums tracks for amateur and professional musicians projects, collaborating with the best musicians on the web, and ready to start an on line collaboration.
Official drummer of FUNKDAWGS world's first internet jazz fusion band since 2000 and winner of best internet band 2007 contest at netmusikmakers.com
All tunes featured,
done in long distance by Internet. Filippo Bertacche is featured in more than
150 tunes on many music web sites and also on more than 35 albums by independent
artists. Some of these tunes became hits on sites like mp3.com and Vitaminic,
and also promoted on some UK, US, french and australian radios...
...started playing drums in 1988...influenced by playing style of Toto drummer Jeff Porcaro...early on checked out drummers like Dave Weckl, Stewart Copeland and Dennis Chambers... C.Wackerman, T.Brechtlein, J.Baron... and then S.Phillips... a self-taught drummer of many musical styles... jazz fusion, blues, funk, rock, pop, acid, progressive... first demo called Pollution (written by himself) recorded in 1996...in 1999 he dedicated two years to play only live jazz.... during 2000 started recording and collaborating via the Internet with the Funkdawgs...
Filippo and Funkdawgs are featured on Jazz Player Magazine CD Vol. 8, No. 3 - June/July 2001 and also on Saxophone Journal CD Vol.27, No.3 Jan/Feb 2003, Vol.28 n.6 July/Aug 2004 and Jan/Feb 2007, Bassicis Magazine November 2005, Guitar World Magazine CD in June 2007 and also on CBC Network tv special on December 2003...On April 2006 Filippo and Funkdawgs published a playalong CD with Music Minus One company...Funkdawgs band wins battle of bands as best virtual band at netmusicmakers.com in 2007
Filippo records his tracks using basically two drums sets in his studio in Vicenza, Italy... provides professional drums tracks for numerous projects and productions... now dedicates most of his time to Internet music collaborations... he was probably one of the first "Internet Drummer" of the world, experimenting this new and particular type of collaboration ...
loves exploring absolutely the most free way to perform in many musical genres and styles as never before..."Thank God to let me live in this wonderful world!"
from the web...
come across a piece of music in 7/4 time these days, you know you are dealing
with someone who is proudly and defiantly staying out of the easy-to-digest
mainstream of jazz. It takes some very talented people to pull this kind of
tune off properly, and I am happy to report that guitarist/composer Carl Eichman
and his internet-based trio (with Bill Lawrence on bass and Filippo Bertacche
on drums) have the goods to deliver.
Crooked Mile is the kind of music we used to call art rock; back in the days when Gentle Giant, Yes, and Peter Gabriel-era Genesis were the newest and coolest things out there. With the more liberal definitions of jazz we use these days, the jazz fusion; label works just as well to describe this fine piece of music.
Eichman layers dense, processed chunks of Metheny-esque guitar with cleaner acoustic riffs, soaring electric cascades and varied synth textures. Combined with Lawrence's robust bass lines and Bertacche's active but tasteful percussion thrusts, the mixture is rich and satisfying to the ear.
The band rides through the odd meter time fluidly and comfortably, and Eichman establishes some solid melodic themes which stay with you long after the track ends. The composition is well considered, with rhythmic diversity, changing dynamics and thematic development keeping things coherent and evolving.
The improvisation is clearly very skilled (in particular the gymnastic bass solo which occurs around the 4-minute mark), but always the chops highlight and accent the music (instead of the other way around, as is sometimes the case in the fusion genre). It should also be pointed out that this recording is an example of the increasingly popular internet collaboration trend, made possible by sophisticated music recording/processing software and high-speed internet access.
Eichman is able to work in Connecticut, and send his partially completed recordings (in digital format) across the internet first to Bertacche in Italy to add his drums, and then to Lawrence in upstate NY for the bass part. The finished recordings end up back with Eichman for final mixing and production. The process is so seamless and the musicians so skilled that there is no hint in the finished product of the distributed nature of its recording. Ultimately, the success of a complex piece like Crooked Mile is judged by how well it works at both the intellectual and soulful levels, and for me, this piece delivers on both counts. This is a first-rate composition, performance and production - bravo!
Gods Of Music
...I must say
I'm impressed here. Filippo Bertacche managed to get this amazing latin jazz
track out of an online collaboration, and the fact that it is so magnificently
produced and performed says a lot of his musical talents.
For one, this is one hell of an instrumental, one of the best I've heard on mp3.com, and I've heard a lot. The instruments blend so well I can hardly tell they aren't all being played together live in a studio. The production on this track is so solidly done that it sounds like I'm hearing it in person.
And the drumming on this track, specifically, is completely top notch, and as a drummer myself, I am allowed to say that. Filippo has a lot of talent here, and to ignore this fine track would be ignoring some excellent jazz from a group who, though they may be working over great distances, have the musical tenacity to stick around in the business. Needless to say, I'm enthusiastic about what I'm hearing in "Samba Sueño".
I wish I could do more to urge you all toward this fine track, but all I can do is give you my word that this is one track you don't want to miss. But don't just take my word for it, see for yourself, because Filippo Bertacche is a name you'll want to remember. Gods Of Music
testimonianza di come in Italia vi sianno grandissimi musicisti ecco comparire
il nome di Filippo Bertacche, batterista che considero come uno fra i drummer
più intelligenti che abbia mai ascoltato. Se ci pensate bene quanti cd
avete ascoltato di drummers che hanno superato la prova? Sì, è
vero, Simon Phillips, Dave Weckl e Dan Gottlieb hanno anche inciso degli ottimi
lavori, ma ogni volta c'è sempre quel qualcosa che non và, cosa
che invece non si nota nei capolavori dei chitarristi fusion.
Oculata pure la scelta dei musicisti chiamati per la registrazione del cd, magari meno conosciuti di altri ma bravissimi nel calarsi all'interno dei brani. Lo stile di Filippo ci porta in quell'area di jazz-moderno contaminata dal blues, in un insieme di arrangiamenti semplicemente unici. Sembrerebbe quasi di avere nel cd-player un cd strumentale prodotto negli Stati Uniti, mentre invece il tutto èstato creato da un batterista vicentino.
Un consiglio..., se amate i virtusismi di classe provate ad ascoltare questo cd (IMC Vol.IV). Millerecord Reviews
said, all the words have been bantered about and used over and over...great,
fantastic, excellent...I couldn't find one that would do justice to this piece.
This is beyond words and into pure emotion my friend! Unbelievable guitar by
Mr. Eichman. Live TIGHT drums with an easy touch but conveying drive and power
by Mr. Bertacche, and the sweet sax of Mr. Alexis Van Eeckhout is not just a
listen...it's a whole body experience
HILL OF ARES by Carl Eichman review by Kerry Martin.
here. Bass duties are solid. The percussion by Filippo is also very tight, yet
very flowing and imaginative... an effort that should make any independent musician
using a drum machine want to discontinue usage of said device immediately.
Shades Of Grey cd by C.M. Reviewer: Alex Mindside
with me on That 70's Funk Sergio asked me to try my hand at a tune he had in
the works. I really liked the tune but had to finish some other commitments
first. Once I started working on it I had a blast. I was really stoked to work
on a project like this. Filippo Bertacche
of the FunkDawgs is a great drummer and I really enjoyed playing to his track.
His playing was real solid and made my job that much easier
Bunny Bop by Sergio Valdes on angmar.com
...Warm and laid
back soultune on a dreamy guitar ... to enjoy on a hot summer's morning. Special
thanks to Filippo Bertacche for his splendid drums track on our first online
internet collaboration song.
Wake Up by Zuper on Rock-Industries.com
I can see why this does well! That drummer is soooo tasteful, great work by
E chi Se No by L.Bygon on SongRamp.com
to send you another note to tell you how much I love your playing. I'm fairly
new to the Funkdawgs, and to your work. I have spent many hours over the past
24 hours listening to you play, and I just love every drop of it. I'm a drummer
in New York. You have really inspired me to work towards playing like that.
Outstanding, outstanding stuff.
Music Minus Drums MMO customer Frank R.
...Thanks so much for working with me on the tune. I love your drums playing
and you and Kyle are great players. I know your contributions will raise this tune to a higher level.